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English portfolio

Vogue Scandinavia •

Ardalan Esmaili on working with Colin Firth and fatherhood

Few Swedish actors have been as busy as Ardalan Esmaili over the last few years. Since 2020, he has starred in no less than 15 different productions. With roles in tv-series Snabba Cash and Helikopterrånet, Esmaili has become a familiar face in Scandinavia. Now he takes aim on the international scene with his latest project, docudrama mini-series Lockerbie: A Search for Truth, which landed on SkyShowtime last week. When we met Esmailli just ahead of the series premiere, he was a mix of “excited...
The Line of Best Fit •

girl in red: I'M DOING IT AGAIN BABY! Review - refreshing return | Indie

But the project, mainly its lead single collaboration with producer Finneas on “Serotonin”, shot her into a stardom she hadn’t experienced before. After that, depression and endless touring took its toll on the artist, and she had to postpone several shows due to voice issues. In interviews done during this time, it was clear she needed rest – a sentiment that was heard already in the lyrics of her last album.

Now, she reappears under her alias girl in red on her second album I'M DOING IT AGAIN
Vogue Scandinavia •

Get to know Kerstin Linden, the 15-year-old tackling the role of Astrid Lindgren's Ronja in the new Netflix series

40 years after the first film adaptation, Astrid Lindgren's epic tale of Ronja the Robber’s Daughter finally gets its deserved fantasy treatment in the new top-ranking Netflix series. Vogue Scandinavia speaks with the rising star Kerstin Linden about booking her dream role

The book about Ronja the Robber’s Daughter by Swedish author Astrid Lindgren has captured hearts ever since it was first published in 1981. A beloved film adaptation was released in 1984, and then three years ago, it was reve
Sunstroke Magazine •

The Changing Face of Horror Movies: How the Genre Became Progressive Through Its Villains

Once known for its ruthless and single-minded killers, in the last few years, horror has become populated by a slew of philosophical and ethical questions. Where the monsters from the past tended to be fictional (possessed dolls, ghastly creatures and deranged psychopaths) the villains of modern cinema seem to be inching closer to — and even mirroring — the audience.
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